Photo credit to css.edu

Visum Monachae… On “Lady Bird”

Sister Edith Bogue, OSB
ebogue@css.edu

“What if this is the best version of myself?” Lady Bird’s question gets through her mother’s barrage of critique to reach her heart. In a later scene, the roles reverse. Lady Bird disparages her local options for college. It is her mother who breaks down, shouting, “It’s never enough! Whatever we give you, it’s never enough!” That gap between the hoped-for and the real is the central dynamic of Lady Bird’s relationship with her mother. Each tells the other, in hundreds of ways, that she is never enough.

I hadn’t heard of “Lady Bird. ” Then Bishop Barron praised its portrayal of the religious sisters. The trailer was intriguing. It’s not merely another sweet coming-of-age story. I went to see it for the first time. I was hooked.

Despite the great sight-gags and teenage hijinks, “Lady Bird” is a painful movie to watch. “Oh, don’t do that – don’t say that,” I find myself saying in scene after scene. Lady Bird’s headstrong ways cause her no end of grief. Her mother longs to help, and somehow manages to say the worst thing at the worst moment. They are locked in a critical spiral; no one has the key to release them.

Brené Brown, in “Rising Strong,” describes her righteous anger at the atrocious behavior of a stranger she encountered. Unable to shake her fury, she expects her counselor to be outraged. She is dumbfounded that the therapist asks, “Do you think maybe she was doing the best that she could?” Brown couldn’t fathom the idea. “Really? Do you believe that?” After a moment’s thought, her counselor replied. “Yes, she said. “I believe most people are doing the best they can, most of the time.” Brown left the session still infuriated – but with a new research project.

A pattern emerged in Brown’s interviews with hundreds of people. Those who lived from the belief that “people are doing the best they can” were happier and less stressed. Those who did not have that belief struggled with perfectionism and stress. One gave an especially thoughtful answer. “I don’t know. All I know is that my life is better when I assume people are doing their best. It lets me focus on what is, and not on what could be.”

The sisters and staff in Lady Bird’s high school seemed to have discovered the sweet spot. They were honest about Lady Bird’s current reality but valued her spirit. This opened a space in which she could become whatever the next version of herself might be. “Lady Bird’s” writer and director had similar experiences in a Catholic high school. “God uses what you’ve got,” she said.

Moments of acceptance, of encouragement to BE yourself, are life-changing. They become what Bishop Barron called the “strange and surprising breakthrough of grace.” It is the heart of Benedictine community. The acceptance we can give each other is opens the door so that we can grow into “the best version of ourselves.” Without it, we are never enough.

Sister Edith Bogue hardly ever goes to movies, but ruminates about them for weeks when she does. She is an associate professor of sociology at CSS and vocation director in the monastery.